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March 9, 2004
rap + written "art" poetry = ?
I'm wondering what would happen if one tried to combine the rhythm of rap with some of the conventions of written poetry. (This is a naive question; there may be very obvious answers and lots of great examples.) As I understand it, rap lines usually contain four strongly accented syllables. There may also be any number of unaccented syllables, but each line takes an equal amount of time to say. That means that lines with many syllables go very quickly; but the four accented beats occur at a regular rate. Rhyme alerts listeners to the end of each line. Rap is sung/spoken against a digital beat, and the combination of that beat, the changing speed of the words, and the regular occurance of strong accents makes for an interesting form of syncopation. Rap doesn't work especially well on paper, because it's too hard to tell which syllables should be accented, and there's no background beat.
In contrast, it's hard to hear the length of a line in most modern written poetry. Even if rhymes are used, they tend to be subtle (off-rhymes or slant rhymes) and they are often concealed by enjambment. In conventional forms like iambic pentameter, each line has the same number of syllables, but a varying number of accents. In free verse, the number of syllables varies, but the reader still perceives each line as a meaningful unit. Information about line breaks is transmitted best on paper; it may be lost in speech. (Poetry in which line breaks are completely unimportant is simply prose.)
I don't really listen to rap, but I understand that it's a vital cultural phenomenon with tremedous energy and potential. I do read some contemporary "art" poetry, and I deeply admire a portion of what I read. I would probably like even more of it if I understood it better and worked harder at it. Written verse is valuable if only because silent, slow, careful reading of distilled language is good for the mind. Besides, "art" poetry connects to a wonderful heritage of writing as old as Sappho. Yet I suspect that as a whole body of work, current written poetry is not really going anywhere.
So could written verse draw inspiration from rap prosody? If rap performers could be persuaded to write some silent verse, they would contribute their energy and experience to the form. The technical trick would be to signal strong accents and line-speed--two aspects of language that ordinary writing does not automatically convey. I wonder if it would be possible to use subtle typographic clues, like slightly larger print for the accented syllables.
Posted by peterlevine at 7:48 AM | Comments (5) | TrackBack